Marathi Abhang, Bhaktigeet, Bh 1.1.3

Latest Updated Collection of Abhang, Bhajan, Bhaktigeet, Bharud, Aarti, Gavlan Sangrah

This compilation presents a rich selection of Marathi devotional music, including Bhajans, Bhaktigeet, Bharud, Aarti, and Gavlan Sangrah, authored by esteemed Marathi poets. Additionally, there is a variety of Marathi poems for children, patriotic songs (desh bhakti geet), emotional songs (bhavgeet), song lyrics from serials, and much more.

Collection of Popular Marathi Bhaktigeet

• ❤️ स्तवन / प्रार्थना / Stavana / Prarthana
• ❤️ गण / Gan
• ❤️ वंदन गीते / Vandan Geete
• ❤️ रुपावली / Rupavali
• ❤️ गवळण / Gavalan
• ❤️ भैरवी / Bhairavi
• ❤️ गजर / Gajar
• ❤️ भारुड / Bharuḍ
• ❤️ भक्तीगीते / Bhaktigeete
• ❤️ संत तुकाराम / Sant Tukaram
• ❤️ संत नामदेव / Sant Namadev
• ❤️ संत जनाबाई / Sant Janabai
• ❤️ संत चोखामेळा / Sant Chokhamela
• ❤️ संत एकनाथ / Sant Ekanath
• ❤️ संत ज्ञानेश्वर / Sant Jnanedsvara - Dnyaneshwar
• ❤️ संत बहिणाबाई / Sant Bahinabai
• ❤️ संत मुक्ताबाई / Sant Muktabai
• ❤️ संत गोराकुंभार / Sant Gorakumbhar
• ❤️ इतर अभंग / Other Abhang
• ❤️ संत नरहरी सोनार / Sant Narahari Sonar
• ❤️ श्री गुरु दत्तांचे अभंग / Shree Guru Dattanche Abhang
• ❤️ वारांचे अभंग / Varanche Abhang
• ❤️ पहाटेची भक्तीगीते / Pahatechi Bhaktigeete

भारूड - Bharud: Bharud represents a vital aspect of Maharashtra's folk culture that continues to thrive in contemporary times. Following tamasha, Bharud is particularly cherished in rural settings and holds significant relevance during annual fairs and religious recitations such as Dnyaneshwari Parayan (the recitation of Dnyaneshwari, Saint Dnyaneshwar's interpretation of the Bhagavad Gita) and the recital of Tukaram Gatha (a collection of Saint Tukaram's Abhang).

गण - गवळण: The art form of tamasha has undergone transformations due to technological advancements, shifts in audiences' preferences, the contraction of performance venues, and other influences. Veteran troupe owners reflect mixed sentiments; while Raghuvir Khedkar from Ratnagiri district perceives the tamasha to be on the brink of decline, Mangala Bansode from Satara district maintains confidence in the enduring nature of her art form.